The Godox LED64 is a mini LED panel marketed for macrophotography, product shooting, and video recording.
It contains 64 individual 6 mm white LEDs in a square array, mounted between a silver-colored reflector
and a plastic diffusor. The base of the panel has a cold shoe for mounting it to a support, as well as a
1/4" standard threaded socket.
The frame of the panel carries three more cold shoe sockets, where additional panels of the same type can
be inserted. This is feasible, with some caution, for a cluster of three or four LED64 sharing a single
attachment point, but adding more panels (especially if powered by internal batteries) will put too much
mechanical strain on their plastic casing. Using a single larger LED panel, or multiple LED64 units each
mounted on a mini arm, are better alternatives.
The built-in diffusor is quite transparent in order not to waste too much light, and the individual LED
beads are clearly visible. Highly reflective subjects display tell-tale reflections of the grid of LEDs.
If this is a problem, an additional, better diffusor should be mounted a few cm in the front of the LED64.
The light emitting surface of the LED64 is square, with a 68 mm side. A suitable additional diffuser can
be an opal sheet of 10 by 10 cm placed roughly 5 cm in front of the LED64. This will, however, absorb at
least half the light.
The maximum power consumption according to the specifications is "less than 4.5W", which means
that each LED is using up to approximately 70 mW. The illumination intensity is adjustable via a small
rear knob. At minimum intensity the LEDs are still emitting a usable amount of light, and the intensity
potentiometer works fairly evenly throughout its range. At minimum power, the panel casing does not feel
appreciably warm even when the light is left constantly on.
Godox LED64 battery compartment.
The LED64 can be powered by four internal AA batteries (it works fine with rechargeable batteries like the
Eneloop Classic), or an external 5V DC power supply that must provide at least 1A. The power switch at the
rear of the panel has just On and Off positions (i.e., no separate "On" for internal and
external power). Operating the panel with both batteries and external power seems to work just fine. I
found no specifications for the power supply, but as far as I can determine, it must be equipped with a
5.5x2.1 mm female power plug and be capable of driving a 1 A DC current load (1.5 A including a reasonable
safety margin).
Obviously this is not a LED panel for illuminating large subjects, and the suggested use as a video light
and as a light source for product photography is limited to fairly close-range and small subjects. Where
the LED64 proves especially useful is close-up and macro photography of static subjects. I have several of
these LED panels, and normally place two or three of them around a diffusing cup or hemisphere that
surrounds the camera lens and subject, and often operate them at full power, or sometimes leave one at
full power but decrease the intensity of the others when I need to give a more directional illumination.
Exposure time at 200 ISO varies between a fraction of a second and a couple of seconds, depending on
magnification, type of subject and distance between subject and panels. Even at maximum power, heating of
the subject through an additional diffuser is generally low enough not to affect potentially
heat-sensitive subjects like dried insects, even after several minutes of continuous illumination. When
working with living subjects, it may be a good idea to decrease the illumination intensity or use
electronic flash at low power.
These LED panels are my favorite type of illumination for focus stacking of static subjects. Although
electronic flash can be useful to "freeze" subject vibration when focus stacking, the repeated
flashing can cause heat-sensitive subjects to warp and twist during the shooting session, and the problem
becomes apparent only when attempting to post-process the stack of images. In my experience, this is less
likely with a low-intensity continuous illumination, and LEDs are particularly useful in this because they
emit virtually no near-infrared (electronic flash does emit copious amounts of NIR). Of course, this
requires a very stiff support system, preferably of high mass to dampen vibrations caused by the
equipment, and well decoupled from structural vibrations of the building.
Mitutoyo FS-60 as used for focus stacking, with two LED64 panels.
A diffusing cup surrounds the subject (raised on a white support) and the objective.
A third LED64 (removed for clarity) is usually mounted on the mini arm in the foreground.
My preferred stacking setups at present are a Zeiss measuring microscope stand for stacking at low
magnification (also using LED64 panels), a Mitutoyo FS-60 microscope for intermediate magnification (see
above picture), an Olympus BXFM modular microscope for higher magnification (also using LED64 panels), and
an Olympus BX-50 for "real" microscopy (equipped with dedicated LED, UV LED and xenon flash
illumination).
Color temperature and CRI
The LED64 is apparently not CRI rated in Godox literature, but some retail sellers state that it has a CRI
greater than 95. I do not know on what evidence these assertions are based.
Godox only specifies a color temperature of 5500-6500 K. With most subjects, my Olympus E-M1 II and OM
System OM-1 in Auto WB manage a fairly good color rendition with the LED64, slightly better than, or as
good as, other LED sources I am using (including the Ikea Jansjö that are still popular with photographers
specializing in photomacrography, now discontinued except for a USB-powered model). As a whole, LEDs as an
illumination source for photography still need improvement before they can be fully satisfactory, but the
LED64 in my opinion are not worse than many other LED panels, including some more expensive ones.
Other Godox LED lights
Godox makes two additional, more recent and moderately more expensive models with a similar size and
general appearance, the LED6R (with RGB LEDs) and LED6Bi (with color temperature adjustable between 3,200
and 6,500 K). Additionally, the LED36 is an even smaller model with only 36 LEDs, powered by two AA
batteries and without provisions for an external power supply. Although the LED36 is potentially easier to
place close to a small subject in intricate lab setups, its limitations make it less versatile than the
LED64.
Godox also sells numerous models of larger LED panels, including a couple of hybrid LED-flash panels,
high-intensity LED continuous light sources externally shaped like studio strobes (among them, fanless LED
lights up to 120 W), and two high-intensity hybrid LED-flash models externally similar to studio strobes.
The hybrid LED-flash panels and strobes operate in flash mode by briefly overloading the LEDs and making
them emit a pulse of multiple times their continuous light intensity. The short current pulse in flash
mode and its relatively modest peak brightness, compared to a xenon-tube flash, prevent the LEDs from
self-destroying. I have no hands-on experience with these hybrid LED-flash units, but they do sound
potentially useful for achieving shorter exposure times than ordinary LED in focus stacking, with less
heating of the subject compared with xenon strobes (in part because of the LEDs' lack of NIR emissions).
These hybrid units are compatible with the Godox wireless flash system, but I still have unanswered
questions, for example how is exposure metered (with a pre-flash, I assume) and performed with respect to
front/rear curtain synchronization. The details might be different from typical xenon flash operation,
because the peak emission duration of hybrid LED-flash is significantly longer than xenon flash.
Third-party mini LED panels superficially similar to the Godox LED64 are sold under dozens of make-believe
brands on Amazon, eBay etc. All those I have checked, however, only have 49 LEDs (i.e. a 7 by 7 LED
matrix) compared to the 64 LEDs (8 by 8 matrix) of the LED64.
Summary
The Godox LED64 is a miniature LED panel suitable as an
illumination source for static subjects in close-up and macro photography, both in the studio/lab and in the field because it can be powered from internal AA batteries and
external 5VDC adapter. The small size and modest price make it practical to own and use
multiple units. Although not CRI-rated by Godox, in practical use it works just as well as other LED
sources I have been using.